The Sony a6000 is a mirrorless camera. Like DSLR cameras, a mirrorless camera doesn’t have moving mirrors and optical viewfinders. So, they are considerably more compact and lighter than DSLRs because of this lens. In addition, the Best Travel Lens For Sony A600 offers a great range of coverage, fast focusing speed, and superior image quality compared to other lenses in their range.
Travel Lens is a new travel photography blog that aims to help photographers of all skill levels master their craft. The travel lens is a lens that is “portrait” enough to take nice headshots and close-ups. But it’s wide enough to get the whole landscape in. Lenses with 18-200mm focal lengths are often called “travel lenses.” This is because they can do everything from car photography to portraits without changing the camera’s lens. Yet, these lenses usually have an aperture range between F3.5-5.6. So, it means they don’t excel at anything besides being relatively small and lightweight compared to other lenses in their range, And that’s why we call them travel lenses.
For anyone who loves photography, a good travel lens is a must-have. And when it comes to travel lenses, the Sony A6000 is one of the best. Its lightweight design and fast autofocus make it perfect for capturing quick shots on the go, and its image quality is stunning. Plus, its interchangeable lens system lets you swap out lenses to suit your needs. So whether you’re looking for a wide-angle lens for landscapes or a telephoto lens for wildlife photography, the Sony A6000 has you covered.
Top Rated Best Travel Lens for Sony a6000
A camera lens can only work with devices compatible with its focal length and size. So it’s very important to obtain lenses that match the camera model you have. It is also critical to get lenses that fit your camera. Thus, it’s critical to buy lenses that fit your camera model. Here are our recommendations for the Best Travel Lens for the Sony a6000:
- Zeiss Sony E 16-70mm Vario-Tessar Lens
- Sony E 10-18mm F4 OSS
- Sony E PZ 18-105mm Lens
- Mount Sony 18-135mm F3.5-5.6 OSS
- Sony 18-200mm F3.5-6.3
- Rokinon 12mm F2.0 NCS CS
- Sigma 16mm f/1.4 DC DN
- Zoom Type: 2.9x Optical zoom
- Optical Zoom : 16mm-70mm (24-105mm in 35mm equivalent)
- Focal Length(35mm equivalent) : 24-105 mm
- Minimum Focusing Distance: 29 cm/11.4 in
- Maximum Aperture: f/4-22
- Angle of View: 76.5° – 23.5°
- Minimum Shooting Range (Macro mode): 10 cm/3.9 in.
- Filter Diameter: 72mm
- Front attachment size:46mm(+1)
- Lens Weight: 365 g/12.9 oz.
- Dimensions: Approx. 69 mm (W) × 93 mm (H) × 70mm (D)
The Sony SEL1670Z 16-70mm Vario-Tessar Lens is a premium, high-quality zoom lens that gives the most outstanding images possible. The lens is perfect for taking landscapes and has great technology, which helps give stunning images in any environment. It’s near-impossible to make a bad shot with this lens kit.
It packs interchangeable lenses into one convenient package for more creative control over your shots. And thanks to built-in Optical SteadyShot image stabilization, you can shoot blur-free movie clips even when you’re zooming in on the action.
The professional Aperture range from F4 to F22 enables the depth of field effects and low light capabilities.
The SEL1670Z has an Optical SteadyShot image stabilization function built-in. So it helps to prevent blur when using longer shutter speeds. Further, this lens is perfect for low-light light photography with an ISO 3200 capability. Moreover, the f4 aperture enables the enhanced field control depth and offers amazing bokeh effects. Also noteworthy is that there is near-silent operation from the autofocus motor, making it ideal for video use.
The lens is packed in a lightweight magnesium alloy body, a circular aperture makes out-of-focus elements look more natural in your photos and movies. The lens has seven blades, making the lens less prone to creating lens flares. In addition, the Super SteadyShot system makes the lens perfect for handheld shooting and movie-making. Enabling you to shoot at four stops slower than a non-stabilized lens enables the use of longer exposures.
A built-in focus hold button and AF/MF switch is a great feature that helps make this professional piece of kit comfortable and ergonomic for all users. A 72mm filter thread also means that You can use filters on the lense. So, it can save money from buying separate filters for your lenses if you have more than one. Optical SteadyShot image stabilization with Active mode gives four shutter speed steps of compensation when shooting handheld, assuring dramatically reduced camera shake during telephoto shots and movies.
The maximum aperture is f4, this might sound a bit low, but the quality of images you get from this lens more than makes up for it. That helps improve your creativity as a photographer because you have to use a faster shutter speed or opt for a wider angle shot, resulting in clearer images.
The minimum focusing distance is 29cm, which is impressive at the telephoto end of this zoom range, allowing small objects to fill the frame when shooting macro photography.
In short, this lens is best for any travel photographer. With its lightweight, easy-to-use interface and fantastic optical capabilities, it’s a must-have piece of kit. It’s also slightly more affordable than the standard 16-70mm lens that sony offers if you shop around, making it even better value for money. Anyone with a Sony A6000 or Sony A7ii camera should buy this as soon as possible because it’s the perfect accessory for those photographers who want to start taking great photos and movies.
- The lightweight lens with great image quality
- Very lightweight
- Great image stabilization
- Good price compared to other lenses in its range
- Lens cap can be a bit fiddly to fit
- The focus hold button is small and fiddly, but you’ll get used to it
- Lens type: a wide-angle zoom
- Construction: 10 elements in 8 groups
- Aperture blades: 7 diaphragm blades
- Magnification factor: 0.31x
- Minimum focus distance: 11.8 inches
- Dimensions: 3.1 x 2.3 inches
- Weight: 7.4 ounces
- Filter diameter: 49 millimeters
- Maximum magnification: 0.31x
- Dimensions: 2.6 x 1.5 inches
The Sony lens is a wide-angle zoom lens designed for APS-C sensors. The combination of the 10mm to 18mm focal range, close minimum focus distance, and maximum magnification can aid in making your point of view unique when taking landscape or architecture photos. This E-mount lens is specifically created for full-frame cameras, but You can use it with APS-C cameras as long as the crop factor is considered. You can also use this lens on a full-frame E mount mirrorless camera. Yet, it only works properly with APS-C cameras since the image will be cropped and enlarged on a full-frame sensor.
This lens’s minimum FD or focal distance is just 11.8 inches, making it easy to get up close with the objects you are photographing. Furthermore, it has a wide-angle focal length of 10mm on its wide end. This allows photographers to take pictures at close distances without moving too far back.
The maximum magnification ratio of this Sony lens is 0.31x which can come in handy when taking photos of small subjects from a short distance away. This lens will allow you to get those close-up shots without losing any detail or clarity simply because of its high magnification capabilities. Along with the 10mm focal length, this lens has a great minimum focus distance making it easier to photograph close-up objects.
It’s not quite a macro lens, but it does come pretty close. Its minimum focus distance is 11.8 inches which means that you could technically get in between your object and the Sony lens to take pictures that are closer to what you see with your eyes rather than magnified.
Compared to other wide-angle lenses, this lens is rather compact. Since it’s designed specifically for APS-C sensors, the Sony a6000 portrait lens can fit in smaller camera bag compartments and doesn’t weigh a ton. It weighs 1 pound even, which is a huge difference from other wide-angle zoom lenses equally as versatile.
Furthermore, this 10-18mm wide-angle lens is more expensive than others offered on the market. Yet, it offers a higher maximum magnification ratio and has a narrower focal length, making up for its price point.
For the photographers who want to get up close and personal with their subjects, Sony Sony 10mm to 18mm lens will help you do so. It’s also perfect for landscape shots since it has a high-resolution capability, is compact, and can take up-close photos of nature without having to move too far away. In addition, the Sony SEL1018 is a great wide-angle lens and definitely worth the price.
- Slim Profile
- Easy to Carry Lens
- High magnification factor
- Narrow focal length
- Best for close up shots
- Not a macro lens
- Lens Mount Type: Sony E-mount bayonet type
- Focal length (35mm equivalent): 27-157.5 mm
- Optical zoom: 3x
- Aperture: f/4 – f/22
- The angle of view: 83° – 23°50′ (APS-C)
- Min Focus Range: 9 3/8″ (236mm)
- Group: 16 elements in 13 groups
- Lens coating: ASC, SP, and ED
- Dimensions: Approx. 3 1/8 in. (79mm) [W] x 3 3/4 in. [D] (82mm)
- Approx. weight: 11.8 oz (337g)
The Sony SELP18105G E PZ 18-105mm is an f/4 G OSS Compact Lens with Built-in Power Zoom. Also, it is the latest addition to the extensive range of lenses for travel for Sony’s E-mount cameras such as the Sony a600 or A7ii. Its advanced optical design uses three aspherical elements, including one large diameter. The double-sided aspherical element ensures sharp, detailed astrophotography. In addition, it also has two ED (Extra-low Dispersion) glass elements and one Super ED glass element, which aid in correcting chromatic aberration. As a result, this lens has a wide zoom range of 18mm-105mm.
The SELP18105G lens has a high-quality G Lens design. It is small and lightweight, with an overall length of just 3 1/8″ (79 mm). This makes it well suited to the latest E-mount bodies, significantly smaller than DSLRs. The built-in power zoom enables smooth and continuous zooming suited to video capture. You can use the power zoom function even while recording video. Plus, it has a minimal effect on the angle of view.
The lens features 3x aspherical glass elements, one ED, and one Super ED. As a result, it helps reduce chromatic aberration for sharp pictures. When shooting, the minimal distance between the lens and the subject is 30cm at all zoom settings.
Additionally, this lens has a built-in Optical Steady Shot image stabilizer. Plus, it’s an effect of up to 4.5 stops and a minimum blur factor of 0.5 at 105mm (F4). Thanks to its built-in gyro sensors. Furthermore, a three-stop ND filter is built into the lens, enabling slow shutter speed in bright light such as landscapes or sunsets when large apertures are not desired.
The minimum focusing distance with the SELP18105G lens is 9 3/8″ (236mm) at all zoom settings. While The built-in focus hold button provides quick access to AF/MF switching. The “focus assist” function projects highly defined edges for easy confirmation. But, at the same time, it’s manually adjusting the focus.
The lens has a dust-proof and drip-proof design to use in harsh conditions such as rain or snow. Also included is the new SAL18105G lens hood, which reduces reflections. And it helps prevent flares from producing more contrast shots. Additionally, it has an all-new compact design to minimize bulk when attached.
The SELP18105G lens is the latest addition to Sony’s E-mount cameras’ extensive range of lenses. Its advanced optical design uses three aspherical elements, including one large-diameter double-sided aspherical element, to ensure sharp, detailed pictures. You can use the power zoom function even while recording video, and it has a minimal effect on the angle of view. In addition, the built-in Optical Steady Shot image stabilizer helps capture clear pictures even when using telephoto zoom settings.
- Built-in Optical Steady Shot
- image stabilizer with
- an effect of up to 4.5 stops
- dust-proof and drip-proof design
- ility of flare in some situations
- The power zoom not work off-camera
- Focal length: 18 – 135
- Maximum aperture: F3.5 – 5.6
- Elements: 16 (in 13 groups)
- Minimum Focus Distance: 1′ (30cm)
- Lens Format Compatibility: full-frame and APS-C cameras
- Dimensions (Approx.): 2.88″ x 3.76″ (74.4mm x 96.0mm)
- Weight: 16.93 oz (480g)
- Lens Mount Type: Sony E-mount
- Size (Approx.): 74 x 96mm
- Weight (Approx.): 487g
- Filter Diameter (Approx.): 67
The Sony 18-135mm F3.5-5.6 OSS lens is a portrait lens compatible with Sony E series cameras. It is suitable for A series such as the Sony A6500, Sony a6000, Sony A7 II/III/R III. It has been designed for a professional photographer who needs a flexible zoom range. So, you can take them from wide-angle – perfect for landscapes to a short telephoto length ideal for portraiture.
This is a higher-quality lens for travel, landscapes, or portraits. In addition, it’s an optical Steady Shot image stabilizer. So, you can shoot sharp photos at any focal length. Even if you’re when hand-holding your camera.
It features a maximum aperture of F3.5-5.6 across the zoom range, which is certainly bright enough for shooting in low light. And it creates smooth bokeh background effects when required.
The lens includes Optical Steady Shot image stabilization, with a total of up to 4.5 stops of effect. So, it is easier to capture sharp handheld telephoto shots even in low-light conditions. In addition, you can work without the need for a tripod or monopod since you don’t use any gear.
Sony’s aspherical and extra-fine Xtra Fine lenses produce. At the same time, it’s exceptionally high resolution and contrast. In addition, the aspherical element works to correct all types of aberration, including spherical aberration and distortion. Further, the aspherical element contributes to the highest possible optical performance throughout the zoom range. You can minimize spherical aberration and curvilinear distortion.
A dust and moisture-resistant design prevents water from entering through a lens. The lens is also protected in this case by an anti-scratch, anti-smearing coating that repels dust, water, and grease smudges for easier cleaning. In addition, a highly reliable metal mount enhances durability for active use.
The lens has a dust-proof and drip-proof design, making it more than just a travel or landscape zoom. So, it’s perfect for outdoor photography, such as at the beach or in bad weather conditions. In addition, the minimum f-number of 3.5 means this is great for low light conditions. In short, it is great at blurring backgrounds or capturing night scenes.
The lens has a smooth zoom ring that sits well with the camera body. So, it doesn’t rotate as freely as some lenses of this kind do. It also features an Autofocus/Manual focus option in either autofocus or manual focus mode. Thus, it ensures that you can capture sharp images at any focal length.
The Sony 18-135mm lens has 16 elements in 13 groups, including seven Aspherical lens elements. This has helped the product of more high resolution with contrast than any other E-mount lenses. Also, dust and moisture-resistant design prevent water from entering through a lens. So you can capture beautiful images even in backlit situations.
- Durable design – with dust and moisture resistance
- Offers an equivalent range of 27-202mm
- Great for zooming in on the close-up subject matter
- Optical Steady Shot image stabilization
- Limited aperture range – F3.5-5.6
- High chromatic aberration
- 18-200mm F/3.5-6.3
- 27-202mm (35mm Equivalent)
- Optical SteadyShot Image Stabilization
- Dust and Moisture Resistance
- Direct Drive SSM (Movie)
- 72mm filter diameter
- 4.7x Approx. 3.0 in./8.0cm (W) x Approx. 4.5 in./11.4cm (D)
- Approx. 17 oz./480g
- Black, White
- 10 Elements/12 Groups
- Minimum Focusing Distance: 1 ft. 7 in.(0.5m)
- Maximum Magnification Ratio: 0.27x
The Sony 18-200mm is the only stabilized landscape lens for A6000 in its class. Also, It offers a versatile 18-200mm focal length, covering everything from wide-angle to telephoto perspectives. Further, It’s also great for travel, landscapes or portraits because it has an extended 200mm focal length – allowing you to get close to your subjects without being close to them. This lens also has an Optical SteadyShot image stabilization, which minimizes blur from camera shake when shooting handheld and makes it simple to capture sharp, clear pictures in low-light situations without a tripod or monopod.
It is fairly basic but fits well with Sony’s full-frame e-mount bodies. The zoom ring rotates smoothly, and the AF/MF switch makes it easy to go between auto and manual focus modes. In addition, a focus distance window displays the precise depth of the field. The sharpness, contrast, and color are all good for this lens class.
The Sony lens is versatile and performs well in most situations, including low light, travel, landscape, etc. So it’s certainly an excellent option if you want a single lens to take with you on vacation or on any other occasion where you anticipate changing your composition frequently during the day or between shots.
Sony SEL 18200 – a cheaper alternative to other big brand lenses. It’s a fully functioning lens that offers a huge range and excellent image quality. As expected from a Sony product, it has dust and moisture resistance and is lightweight. So it is perfect for outdoor photography where conditions can be bad or unpredictable. In addition, Optical Steady Shot image stabilization reduces blur caused by camera shake so you can capture crisp, clear images without using a tripod or monopod.
Sony lenses have more amazing features than any other brand. So, if you enjoy outdoor photography, this is an invaluable benefit that ensures your camera will keep working should it get wet or dusty. Second, Optical SteadyShot image stabilization allows you to capture crisp, clear images without a tripod or monopod. It’s great for low light conditions when you use a slower shutter speed to add motion blur. In addition, They offer a bright constant F2.8 aperture across the entire zoom range, allowing more natural shooting in normal lighting conditions while keeping ISO settings lower.
The SEL18200LE 18-200mm F3.5-6.3 is Sony’s most affordable, stabilized 18-200mm lens for full-frame E-mount bodies. It covers an equivalent range of 27-202mm on APS-C cameras and has a slow variable aperture. Still, it manages to capture sharp images in many situations thanks to its optical stabilization.
It is good for this class of lenses a Great option if you want a single lens to take with you on vacation. Optical SteadyShot image stabilization allows you to capture crisp, clear images without a tripod or monopod. While the Dust & moisture resistance ensure your camera will keep working should it get wet or dusty.
- Great Value Lens
- Excellent Quality
- Stabilizer Optical
- Very fine acidity across the frame
- Smooth bokeh effect
- Lots of chromatic aberration, especially at 18mm
- High Price
- Focal Length: 18 mm to 35 mm
- 1x Rokinon SP AF 17mm F1.8 for
- Comparable 35mm Focal Length: 28 mm to 55 mm
- Aperture Maximum: f/2.0
- Recycle Time: 2.5 Seconds
- Dimensions: 2.80 x 1.89 ” / 7.11 x 4.82 cm (DxL)
- Weight: 11.16 oz / 317 g
- Filter Diameter: 49 mm drop-in filters,
- Optical Constructions: 9 elements in 8 groups
The Rokinon 12mm F2.0 NCS CS ultra-wide-angle manual focus wildlife lens is a specialty. It allows users to explore new possibilities and capture unique, amazing photographs with excellent quality. One aspherical element is in the sophisticated optical design. The center of the image is reproduced in high resolution, with the edges falling off. This lens is built for digital SLR cameras.
Furthermore, it has been particularly developed for digital SLR usage. You’ll notice excellent color balance and contrast, sharpness, and clarity, as a result of this design. It’s best used on an APS-C/DX sensor camera with up to 18mm focal length.
From center to corner, the Rokinon 12mm provides high-resolution imagery. It has a wide 178° angle of view with dramatic results. Yet, most suited to an APS-C/DX sensor format. Because of this, the image circle diameter is slightly larger than that of a standard 16×9 ratio. Further, it will give you an 18mm focal length equivalent. In poor lighting conditions, the f/2 maximum aperture delivers consistent performance. So, you have fine control over the depth of field and selective focus applications. This lens is also ideal for shooting indoor or night scenes due to this feature.
The Rokinon manual focus lens takes stunning pictures and is an enjoyable lens to use. Yet, it does not offer the performance of many DSLR lenses, particularly in low light. While this lens might be slightly wide open at f2, stopping down to f/8 will give you sharp images across the frame.
This lens is for interior, architectural, and landscape photography. Plus, you can use the lens for general photographic applications. Especially you can use the 12mm for an exciting perspective. Moreover, it does well in available light shooting applications.
The new standard zoom lens covers a useful wide to portrait-length, with excellent sharpness and performance. It’s particularly when used at smaller apertures. In addition, it features an innovative design that allows it to be just 0.5 inches (12mm) thick. Yet includes one extra-low dispersion element. The four aspherical lenses ensure high clarity in the zoom range. As a result, this slim lens is well-suited to shooting stills or videos on the go.
Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens for Sony E is a specialty lens that allows you to expand your creativity and capture unique, fascinating images with outstanding quality. This ultra-wide-angle manual focus lens provides an ultra-wide 178° angle of view with dramatic results, which will prove especially attractive when shooting indoors or in other tight spaces such as museums and churches.
Rokinon 12mm is a Sony E-mount UD angle lens with an f/2 maximum aperture. It’s a manual focus lens with a bright f/2 maximum aperture designed for APS-C sensors. As a result, you’ll be able to excel in low-light situations. Additionally, you have complete control over the depth of field for choosy focus apps. Thanks to the Rokinon for the low dispersion element and four aspherical lenses. Further, The lens provides high resolution in the zoom range. At the same time, while also ensures superior optical clarity and sharpness.
- Fast aperture
- Delivers impressive performance
- Great sharpness and resolution
- Noticeable vignetting
- Slower than average autofocus speed
- Recycle Time: 0.2S
- Dimensions: 2.75 x 2.83″ (69 x 72mm)
- Weight: 1.69lbs(760g)
- Number of Diaphragm Blades: 9pcs (Rounded diaphragm)
- Minimum Aperture: F16
- Filter size/mount: 67mm
- Compatibility: Full Frame & APS-C sensor cameras
- The angle of view (35mm equivalent) 84.1 – 62.7
- Minimum focusing distance 0.20m / 7.87in
- Filter size 62mm
- Maximum magnification 1:6.4
The Sigma 16mm f/1.4 DC DN Contemporary vlogging Lens is a wide-angle lens with a focal length of up to 150 degrees (equivalent to 180mm in 35mm terms). You can also use the lens on Micro Four Thirds mirrorless cameras. In low light, a large f/1.4 maximum aperture is beneficial. It’s great for drawing focus away from your subject to your background.
The fast, quiet “Stepping” AF motor has an internal focusing system that produces a quick, accurate performance. At the same time, it’s best for both stills and video for Sony E-mount mirrorless cameras. Further, You can capture, including full-frame and APS-C sensor formats. This new lightweight F1.4 offering complements the existing Art line of lenses. So, it’s allowing more photographers to enjoy exceptional image quality and rendering.
At F1.4, it is categorized as a low light lens because you can shoot at 1/16 to 1/4 the light of other lenses. Plus, It features two FLD glass elements and two SLD glass elements. This includes an inner focus system that eliminates front lens rotation. Thus, you can use circular polarizing filters easily.
The A16B lens is dust-resistant and drip-proof. So, it will allow you to shoot crisp, clear images easily. Sigma 16mm lens for Sony E. It includes an 11-blade diaphragm that creates gorgeous background bokeh. In addition, the 9-blade rounded diaphragm produces a circular bokeh effect at wide apertures.
The Sigma 18-200mm f/3.5-6.3 DC OS HSM is a mid-range zoom lens for Sony E cameras that offers fast, smooth, and accurate focusing. It has a Hyper Sonic Motor for quick, smooth, and precise focusing in the SDM (Super Precision) system. In addition to this, it’s also designed with internal focusing that maintains the same overall length.
It’s effective at producing beautifully blurred backgrounds on portrait shots. At the same time, it minimizes ghosting and flare, which is critical in harsh lighting conditions. In addition, the Sigma 16mm lens has a linear autofocus motor that provides smooth, fast focusing. As a result, you won’t alter the length of the lens while shooting photos or videos.
The film’s new multi-layer coating reduces flare and ghosting, common problems with digital cameras. This benefits both still images and videos shot in bright conditions to produce sharp images with vivid color.
Further, it has a rounded 9-blade diaphragm. So, you can smooth out focus areas when shooting bokeh in your images. This is particularly useful in shots with shallow depth of field where the plane of sharpness is just one part of an entire scene.
The standard Sony E-mount lens, Sigma, has a great option. This compact low-light F1.4 prime features nine elements in eight groups and three aspherical elements. The company’s anti-reflective coating reduces flare and ghosting when shooting under harsh lighting conditions. And the Hyper Sonic Motor provides fast, smooth focusing, which is perfect for both video and stills. I would recommend this Sigma 16mm F1.4 DC DN Contemporary Lens for Sony E to anyone looking for an alternative to standard kit lenses. It’s also great value when considering the price of other lenses in its class.
- Great value for money
- Beautiful bokeh
- Sharp at F5.6-8 on APS-C sensor cameras
- Low light and Fast
- Nice weight and solid build
- No weather sealing
- Slow focusing on APS-C sensor cameras
Travel Photography Tips And Tricks:
As a travel photographer, you are always looking for new and interesting ways to capture the world around you. That means constantly experimenting with different composition techniques, lighting setups, and posing your subjects.
Here are a few travel photography tips and tricks that will help you take better photos on your next trip:
Use leading lines to draw the eye into the scene.
Leading lines are a great way to add depth and interest to your photographs. Look for natural lines in the landscape, like roads, rivers, or fences, that lead the eye into the distance. You can also use man-made objects, like bridges or staircases, to create leading lines.
Experiment with different lighting setups:
As a travel photographer, you have lots of flexibility when it comes to choosing your lighting setup. You can use natural light from the sun or artificial light sources like a flash, studio lights, or reflectors. Try out different combinations and see which works best for each scene.
Pose your subjects in interesting ways:
Part of what makes travel photography so exciting is that you’re often working with new and unfamiliar people who may not be used to being in front of the camera. When you’re shooting portraits or group shots, try posing your subjects in unexpected ways that capture their unique personalities and add interest to your photos.
Sony’s newest and most advanced “entry-level” interchangeable lens digital camera is the Sony SLT-A6000 (also known as the Sony A6500). The lens is rebuilt from the ground up and takes the place of last year’s NEX-6 as their flagship A3000 replacement.
The A6000 certainly looks like an Alpha but uses a completely different. It has a 24MP APS-C CMOS sensor which is not interchangeable with existing E-mount or full-frame lenses. Sony claims this new design has been specifically aimed at producing faster Auto Focus speeds. But it still offers up to ISO 25600 via Multi-Frame Noise Reduction. As mentioned earlier, there is no EVF, and instead, we now have a built-in TFT screen with 921K dot resolution. While the rotational ability of 180 degrees for ‘selfies’ and Vlogging, etc.
Although the camera has some weight, like most SLTs, there is no ‘mirror.’ Still, you can use the Tilt screen even when the camera is on a tripod. Like some other Sony cameras (NEX-7/6, for example), this new A6000 allows you to change key settings. With just one button press rather than entering Menu mode. This new function called ‘Custom Key(s)’ means whatever option you assigned to your preferred Custom Button. As a result, it will be activated without entering Menu first – something we’ve come across on several third-party brands of late but not yet seen before on a Sony model.
- The Sony a6000 is a mirrorless camera, but the Sony a7ii is a full-frame model. The Sony A6000 uses an APS-C size sensor. In contrast, the Sony a7ii has a full-frame sensor which allows more light to enter it, making it more suitable for low light photography and shallow depth of field with larger aperture lenses.
- The A6000 has a 24.3 MP APS-C sensor, whereas the Sony a7ii has a 24.3 MP full-frame sensor. The number of megapixels is not an indicator of how good a camera is. However, a higher pixel count can help when photographing in low light conditions because it will result in less noise in the final image.
- Sony A6000 has a max shutter speed of 1/4000s, whereas the Sony a7ii has a max shutter speed of 1/8000s.
- The A6000 is better than the Sony a7ii for photographing anything that moves quickly because it has higher FPS, i.e., 4 vs. 5 fps, and high-speed burst with continuous AF.
- A-series A6000 has an OLED Live View Finder, whereas the Sony a7ii has an Optical Viewfinder. This is because the LCD screen on the back of a camera is an Optical Viewfinder. An OLED Live View Finder shows the exact scene that the sensor will capture when you take a photo.
- Sony A6000 has a digital viewfinder, whereas the Sony a7ii doesn’t have a digital viewfinder. Most DSLR cameras also have an optical viewfinder which shows what will be captured in your image.
- It has a tilting LCD screen, whereas the Sony a7ii doesn’t have a tilting LCD screen. This means that it’s much easier to photograph yourself with the Sony A6000 because you don’t have to climb up on top of your friend or stranger to get an interesting angle for your photos.
For a gadget lover, a new lens for their latest gadget is a dream come true to widen the horizon of their photographic experience. Yet, today’s market offers an array of lenses suitable for the Sony a6000. So, it might be difficult to tell. The some important factors about the best travel lens for sony a6000 that should guide your purchase:
The lens type you should choose depends on the make and model of your camera and the way you intend to shoot. The three main types are macro, telephoto, and wide-angle lenses, divided into several categories such as fisheye and ultra-wide. So consider what kind of photography you want to engage in before selecting the lens type.
The quality of the camera lens directly affects your photographic experience. Thus, it would do well to invest in a high-quality lens instead of an inexpensive option that can be more trouble than its worth. Finally, consider the weight of the lens. Travelers will find this an important factor to keep in mind since the weight has an additive effect on your baggage allowance.
Before purchasing a lens:
- Check what You can expect in optical quality from the travel zoom lens for the sony a6000.
- Do not opt for poor-quality lenses that cause blurry images or lose color sharpness at telephoto settings.
- If possible, ask people who have used similar lenses on sony a6000 about their experience with particular lenses before finalizing one.
Both autofocus and manual focusing versions are available for purchase. To compare both lens pros and cons before settling on a single option. If you want to capture faster objects without constantly adjusting the focus manually, go for lenses that come with an inbuilt motor.
A higher magnification ratio helps zoom distant objects. So, take a look at various models to pick one that ends up with desired output each time you shoot an image. Also, the more powerful lenses are often bulkier and heavier than smaller ones.
The higher the zoom range, the better you can capture faraway subjects without going near them. So check out what kind of focusing distance it covers. And how much magnification can be expected at a particular focal length before purchasing a lens? Most lenses have a focal length of 55-85mm or, in some cases, 200mm for close-up shots.
Optical stabilization makes it easier to shoot handheld photographs at slow shutter speeds. So, ensure what kind of stabilizer the camera lens features before buying one. Built-in stabilization systems are suitable for still subjects. At the same time, active/powered optical image stabilizers can capture moving objects.
The most compact lenses are the best suited for travel photography. So pay attention to lens dimensions before making your purchase. If you can spare some more money, try buying an interchangeable lens, as You can interchange it with other lenses. In addition, it can give you increased shooting options. However, this may increase the weight of your camera bag somewhat.
Consider how much storage space you have on your Sony a6000 camera. The larger the pixel count, the more memory is needed to store images shot with it. If you are going for a travel lens, ensure that its MP rating is good enough for your needs. At times, your gadget may support a new type of memory card, so look for a lens that supports it too.
It’s worth it if you’re serious about capturing amazing photographs in low light. A lens coating is well worth considering. Optical coatings are important to consider. In other words, it aids in reducing reflection and ghosting at night, resulting in clear pictures even when it’s dim. Yet, when lenses are not treated properly, they may produce flares. Even you will notice the decreased contrast, resulting in lower image quality. So make sure you’re purchasing a lens with multi-coating or fully coated optics.
Some lenses come with a thread mount that You can use to attach filters such as polarizing and neutral density filters, which expands your photographic horizons. In addition, it lets you achieve greater clarity by cutting down the amount of light entering the camera or creating special effects such as motion blur by slowing down the shutter speed.
The quality of lens barrels is an important factor considered while purchasing your camera lenses. Plastic lens parts are tolerant of wear and tear, so you should fIt’s next to impossible to take a bad photo with this piece of kit choose metal parts that can withstand rough use. This not only keeps the lens safe from damage but also makes it durable enough for years of regular use.
Be sure to check whether your travel zoom lens for the Sony a6000 camera is compatible with the lens you are planning to buy, or in some cases, if it’s available as an optional accessory. Some brands like Samsung and Canon only offer lenses that are fabricated by themselves, so in that case, lenses from other manufacturers may not be compatible with your camera.
A common mistake among beginners is using the zoom ring too much. Keep in mind that you can get blurry images if you tend to zoom more than required while shooting an object at a distance. So, you need to be careful about this factor while buying camera lenses for the Sony a6000. For shooting faraway objects, use manual focus since it is very difficult to maintain accurate focus through the lens.
Every lens should be lightweight, so it does not tire your arms while taking shots. These days, camera lenses are being made with lighter materials which are less burdensome when carried for a longer period. However, they may slightly increase the weight of your equipment bag. A prime lens is smaller and lighter than an equivalent zoom lens.
No. Camera lenses are specific to certain types of devices. For example, if you purchase a lens compatible with your smartphone camera, it will not fit your digital camera or laptop. Therefore, it is essential to buy lenses compatible with your camera model.
It is dependent on the kind of photography you want to do. For instance, if you are a landscape photographer, you will certainly need wide-angle and ultra-wide-angle lenses. However, if portraiture is your forte, you may require a telephoto or zoom lens. You can also get extension tubes that provide macro photography without switching lenses.
You cannot do it. A camera lens can only work with devices compatible with its focal length and size. However, you can still use universal lenses to take shots of various objects. In addition, they are available for cameras that have different mounts, so you do not need to change your lens if you have a specific device at hand.
Camera lenses may be made by using either glass or plastic. However, glass lenses are mostly preferred since they increase the quality of images. On the other hand, plastic lenses distort and scatter light, creating image clarity and color rendition issues.
You should purchase a slower lens if you intend to shoot indoor shots or in dimly lit environments. These lenses have larger aperture openings., so they can let in more light. Therefore, you can use them for photographing objects that are not well lit.
The best lens for travel photography is a wide-angle or ultra-wide angle lens. It will allow you to capture all the details of the place during your journey. So, you will be able to share vivid images with your friends and family later on.
Since most camera lenses are not good for macro photography, you need to look for a special type of lens that will assist you in taking close-up shots. Among these lenses, there are two types – the first one has a shorter focal length and is ideal for photographing smaller objects from a closer distance. The second kind is an extension tube that does not have a primary function of a lens. Instead, it is designed to hold a camera body and a lens together, enabling them to focus on a very close object.
Every lens has a specific purpose. So you have to choose according to your needs and the type of photography you want to pursue. The best lenses for the Sony a6000 are prime lenses with a fixed focal length. Further, They let you take shots from a distance. So you don’t require involving any complex computations for focusing on an object accurately.
Before picking up a lens for your camera, make sure that it matches the type of photography you want to pursue. For instance, you will need wide-angle and ultra-wide angle lenses as a landscape photographer. However, if portraiture features prominently in your pictures, you should go for telephoto or zoom lenses. You can also get extension tubes and bellows that easily let you take macro shots.