The Sony A7II is a great camera. Such an incredible hunk of full-frame, minimalism. But there was one thing that was a problem. The A7II’s built-in flash is a little weak, and there’s no dedicated external flash available. Therefore the best flash is necessary for your sony a7ii. Otherwise, it would ruin your photography.
The Sony A7 II is a mirrorless camera that has earned a devoted following among professional photographers.. Among many brands available in the market, Sony’s A7II camera features the highest resolution among all full-frame cameras (other than DSLR) with a 24MP CMOS sensor. A very strong BIONZ X processing engine gives you the ability to capture and process large full-resolution images at a very high speed.
The camera offers a host of features like 5-axis optical stabilization, 1080p video recording, and many more, making it a pretty good choice for all types of photography. However, considering that Sony A7II is not just a still photography camera but also offers professional video recording ability, it is not a surprise that many will want to use it for shooting video.
It’s a matter of weight. For example, the Sony A7II is too light for its good and requires a ballast to get down to earth. In this case, the use of a flash and gimbal step in to supply that ballast and provide the necessary counterbalance to the rest of your camera — lenses — thus creating an equilibrium where both can function and work cohesively together without one or the other acting selfishly and taking over the whole show.
The Sony a7riii has been the best sony camera for shooting videos. With its super ability to shoot high-quality videos in 4K resolution, it has become one of the great competitors of a7rii and a7ii. However, some prefer Blackmagic over Sony because both have common features like a 12MP Micro Four Thirds type CMOS sensor, MFT lens mount, 5-axis stabilization system, etc.
It’s not just about video or mirrorless but something else altogether. The body packed inside this powerful little machine is an essential part of your photography experience and needs to hold up under strenuous conditions. But since there are so many great cameras out there, let’s narrow it down to the important features.
The menu system is excellent and easy to navigate, with several custom modes available for quickly switching between settings configurations based on what you’re shooting.
The Sony A7II is a mirrorless camera and has become one of the most popular choices for professional photographers. Among many brands available in the market, Sony’s A7II camera features the highest resolution among all full-frame cameras (other than DSLR) with a 24MP CMOS sensor. A very strong BIONZ X processing engine gives you the ability to capture and process large full-resolution images at a very high speed.
The battery life could be better, but about what you’d expect from such a small camera that doesn’t include an optical viewfinder like some other mirrorless options like Fujifilm or Olympus do. Instead, it has Wi-Fi connectivity, enabling users to control their Sony A7ii with Smart devices and transfer images and videos.
As for the price, it’s a bit more expensive than other mirrorless options from other brands but still cheaper than DSLR cameras from companies like Canon or Nikon. The only drawback of this camera might be its underwhelming flash, which doesn’t do so well in low-light settings. However, there is a solution for that – you need to get an external flash unit because if you’re going to shoot at night often, no internal flash can help you out here. So whether you’re shooting indoors or outdoors at night, having a powerful external flash along with your Sony A7ii will come in very handy!
Finally, both cameras mentioned above will satisfy all of your wants and needs as far as photography goes. Still, it’s important to remember that they come at different price points with different sets of specs. So choosing the right one for you personally might take some time and research on your part. But once again, we’re going to tell you that Sony A7riii VS Sony A7II – if money is no object, then choose this camera because it has more perks than the other option!
We know that it’s pretty hard for beginners to select the right lens for their A7II camera. So below, we have listed the best flash for Sony A7II, which can help you capture professional-looking videos with effective control over depth of field, smooth focus, and brightness.
- Sony HVL-F45RM Compact Flash with a 1″ Display
- Godox Ving V860II-S 2.4G HSS Camera Flash
- Neewer NW625 GN54 Speedlite Flash
- Sony External Flash with Wireless Radio Control Flash
- Godox V1-S Round Head Camera Flash
- Neewer NW635 TTL GN58 Speedlite Flash
- Altura Photo AP-305S Camera Flash
- Power: Guide No. (at ISO 100) 21m
- Flash Duration 2.5 – 125 sec,
- Recycle Time : 0.1 – 7 sec
- Weight: 10 oz
- Dimensions: 5 x 2 1/2 x 4 inches (WxHxD)
- Radio wireless Commander
- up to 210 bursts
- Lighting: 4 hours
The Sony HVL-F45RM is an on-camera shoe-mount flash with a built-in display monitor on the back of the unit. The F45RM has manual controls, TTL control for automatic exposure, and 77 custom functions to adjust its operation. This on-camera flash can pop up almost instantly at the push of a button or extend upwards using the built-in telescoping support rod. In addition, the F45RM can rotate to point straight forward or down, and it automatically zooms its flash head as you change the focal length on your lens.
This unit is about 5 inches long, 2 1/2 inches wide at the hot shoe mount, and the display screen measures 2 1/4 x 1 3/8 inches. It attaches to a camera with either Sony’s proprietary multi-connector socket (which many camera makers, including Canon, Nikon, Olympus & Pentax, also use) or via a PC-connector as used by Minolta cameras such as my Maxxum 7D DSLR shown here. As an owner of multiple different brands of cameras, I appreciate the PC socket because it allows me to use the same flash with either brand of camera that has a PC terminal. The F45RM also features an external battery port that provides power for other devices, which will be extremely handy when shooting outdoors in remote locations where you may not have AC power.
The display screen is bright and easy to read under most lighting conditions — except direct sunlight. Because of its bright surface and glossy glass covering, this would not be a good choice for direct outdoor sunning (but then, neither was my Maxxum 7D’s LCD monitor). The unit slides up into a thick plastic shell when not in use. to protect this nice bright screen from scratches and dirt. This drawer closes with a secure latch. It would be very easy to leave the drawer open if you’re used to other flash units that have a flip-up LCD monitor, so take note of the closed position of this drawer before lowering your camera’s viewfinder onto your eye.
It’s bright, it’s easy to read, and the built-in telescoping support rod is easily strong enough for supporting a DSLR with a moderate telephoto lens. In addition, the F45RM should provide years of reliable service… unless you subject it to extremes of temperature, humidity, or jarring shocks. So keep your flash in a case when not shooting, and don’t let it sit out in below-freezing weather or 100+ degree heat without some shock protection. Yet, I can highly recommend this flash for casual shooting as an extremely good performer at a surprisingly low price.
- Modes: ETTL(I)/M/Multi(1)
- GN: Guide Number 58m (ISO 100 @ 105mm)
- Manual Power Supply: 7.2V, 850mA
- Flash Duration : 1/1000s to 1/20000s
- Color Temperature : 5600 ± 200K #Feet
- Burst Length : 1/250s
- Recycle Time: 0.1 to 6s
- Flash Duration : 1/1000s to 1/20000s
- Custom Functions: 20
Godox Ving VT860-II S 2.4ghz HSS Camera Flash is the latest offering from Godox to take on the Canon, Nikon, and Sony strobe domination in this sector of the imaging world. The principal difference between the new Godox flashgun and others is that it utilizes a 2.4ghz wireless system rather than Canon/Nikon/Sony’s radio trigger systems, which are only compatible with their product lines.
It is important to note that the Godox V860II-S can still be fired in optical slave mode or with any standard manual sync cord. So if you are a studio photographer that does not want to give up your existing strobes and light modifiers, this flash offers quite an impressive value proposition. Furthermore, the TTL features of the Godox work very well even when using certain Canon lenses on full-frame cameras like the 6D Mark II.
The Godox Ving VT860-II S 2.4ghz HSS Camera Flash offers a built-in wireless camera triggering system. So it is compatible with the full range of remote manual and automatic exposure modes on all modern DSLRs and high-end digital cameras that offer sync terminal connectivity.
Furthermore, it has a unique pop-up design that allows CRS (Cross Radio enslaved person) mode. Using this flash in such a manner can trigger another Godox Flash or any other devices such as the Pocket Wizard, etc., without using a line of sight like an optical slave would require. This is especially useful when doing off-camera lighting techniques where there is little chance for even line-of-sight to be achieved.
The Godox V860II-S offers full HSS (High-Speed Sync) capability for shooting in bright sunlight using slower shutter speeds or with studio strobes and continuous light sources. Of course, you need to exceed the sync speed camera’s X-sync setting. For example, when shooting in Av mode at 1/200th second, the D810 only allows a maximum aperture of f/4.5. It’s any faster than that, and you will start getting black bars on your frame no matter what ISO you shoot it at.
Using HSS mode will allow me to go down as far as 1/320th second with no problem whatsoever, allowing my lenses to operate wide open regardless of my camera’s X-sync speed. In addition, I can control the output of my studio strobes or continuous lights as low as 1/128th if needed for a shallower depth-of-field when working in bright sunlight.
The Godox V860II-S is more than just a flash to trigger other units. It can be very effective as the only light source in your kit if you do off-camera lighting techniques. The fact that it uses CRS (Cross Radio enslaved person) technology means I do not need to have a line of sight with my master units, or any units for that matter. This makes creative lighting much easier to execute when working off-camera and opens up this unit’s capabilities immensely.
- Guide Number: 54m/ISO100
- Flash Zoom Range: 24mm-105mm (Horizontal), 0°-90° (Vertical)
- Color Temperature: 5600K±200K(Daylight)
- Shutter Synchronization: 1/180 sec+/-2EV
- Power Supply: 4*AAA batteries (not included)
- Brust Time: 1/200s-1/10000s
- Weight: 6 ounces
- Battery Indicator: Yes(LED)
- LCD Screen Display: Yes
- Tripod Socket: 1/4 inch
The Neewer NW625 GN54 Speedlite Flash is a TTL flash unit for Canon cameras. It can be used either on camera or off camera by using the hot shoe mount included in the box or through an optional PC connection should you want to use it with other digital cameras.
Its maximum guide number is 54 meters at ISO 100, giving this flash unit a working range of up to around 50 feet indoors and slightly less outdoors depending on ambient lighting conditions. If you attach any filters or softboxes to your flash, take this distance down further. This speed light also has a tilt/bounce head which means it can point directly upwards, directly downwards, or at an angle between both positions.
This unit isn’t particularly heavy but still is made of metal and feels very solid in hand. Its design is quite low-key and minimalist, with the branding to one side. The buttons for power, function settings, flash zoom level, display panel are all well marked out and easy to use while out on a shoot.
The standard diffuser supplied with this Speedlite can be attached easily enough to the front of the unit should you need it. Yet I found that using my camera’s built-in flash or other aftermarket units around 3-4 feet away at portrait distances often overpowering them. In addition, this little light sometimes gave off a dark shadow behind people’s heads, especially if they were wearing black jumpers. On the other hand, it almost acts lightly by throwing some highlights up on the hair, which you can see in a couple of sample shots taken during this test.
The flash head ranges from 24mm to 105mm and from 0 to 90 degrees horizontally and vertically. Overall product dimensions are as follows: Width – 3.75 inches, Height – 2.8 inches, depth – 5.5 inches.
This flash is powered by 4 AAA batteries (I use rechargeable Energizers) which aren’t included with the unit but don’t let that put you off as they last for ages if used sensibly. I’m using the flash a few times a week on average or more on some days, plus using them on other devices such as my DAB radio.
I found the Neewer NW625 GN54 Speedlite Flash to be a good little flash unit that’s very easy to use with all necessary controls laid out in an easy-to-understand way and reasonably priced when compared against other units of this type. Thus, if you’re using it either on-camera or off-camera within the specified operating range, I think you’ll find it more than enough for your needs, especially considering its price point.
If you are a newbie to flash photography and want something inexpensive, simple, and user-friendly, then I’d recommend checking out the Neewer NW625 GN54 Speedlite Flash.
- Zoom: Auto Zoom (H=13mm to 52mm)
- Wireless Radio Transmission Speed: 1/250 second
- Standby Recycling Time: Approx. 3 sec. With Ni-MH batteries
- Guide Number at ISO 100 / m(m/ft): 42 (at 35mm position with 20mm lens)
- Guide: 42 (ISO 100 / m)
- Zooming at Normal Speed: Slow, Medium, Fast
- Flash Duration: 1/300 ~ 1/1300 second
- Exposure Control Method: ITTL, A-TTL (HSS Compatible), M-HSS Compatible
- Power Supply: 4 x AAA batteries
- Size: 130mm x 71.5mm x 55mm
- Weight: 320g
The Sony external flash is designed specifically for the HVL-F20M, HVL-F32M, and HVL-F42AM. This dedicated wireless radio control flash unit can be used with Sony’s A99, A7riii, A7iii, A7ii A58, and NEX cameras to provide more efficient lighting when photographing in dim environments or taking portraits at night. When mounted on these cameras, the flash adopts a smart bounce mode which allows photographers to capture better photographs by analyzing and setting up suitable lighting conditions before each shot is taken.
This is possible because the Sony External Flash with Wireless Radio Control has a faster wireless radio transmission speed of up to 1/250 second. Further, The director unit also features an AF assist lamp and a modeling flash function. So it serves as a light source for various types of product photography.
The Sony External Flash with Wireless Radio Control is powered by 4 AAA batteries and has a 42 (ISO 100 / m) guide. In conjunction with the AutoLock Accessory Shoe, you can use it with the NEX-6L/B camera body attached to A mount lenses such as SAL18135 or SAL2875.
A choice of 3 auto zooming speeds is available for this external flash: slow, medium, and fast.
Wireless radio control guarantees maximum reliability and convenience. When mounted on a camera with an AutoLock Accessory Shoe (with an Accessory Shoe Lock capable of supporting it), the Sony External Flash with Wireless Radio Control can be used as a Master flash unit to wirelessly control up to 5 groups of enslaved person flashes through specific customized settings. In this configuration, the external flash can recognize each slave flash automatically by name or group number, giving photographers more freedom in their creative process.
Since all components are engineered together as one system, this dedicated wireless radio control device can also be used with other cameras with AutoLock Accessory shoe mount capabilities such as the DSLR-A900L/SLT-A33 and DSLR-A850L/SLT-A55 as a Master flash unit.
The Sony External Flash with Wireless Radio Control is lighter and smaller than previous models, making it easier to carry around. In addition, you can conveniently use it in many shooting environments, such as at night or indoors, where the standard setting for an external flash may not produce optimal results. It also helps make more accurate and well-lit pictures of products by providing enough light venues for product photography.
- GN:15m (ISO 100/105mm)
- Guide Number:197′ (ISO100/200mm)
- Sync Mode: Hot shoe, 2.5mm jack port, and optical slave modes.
- Color Temperature: 3200K – 5500K
- Color Gel Filters: Standard color gel filters included
- Recycle Time(full power): 0.1 – 3 seconds
- Flash Duration (t0.5): 1/300 – 1/20000 sec
- Flash Power Ratio: 1/128 – 1/1 (in 0.3EV step)
The Godox V1-S is a new camera flash for off-camera to compete with the Nissin i40. This compact and lightweight next-generation Speedlight packs a lot of power and functionality into an affordable package that is easy to use. Godox has updated its product line with this new solid feeling, capable Speedlight that competes directly with the Nissin i40. After years of hearing about how great prime lenses are for portraiture but struggling to find an affordable Speedlight solution, I think many photographers will be pleasantly surprised by how powerful this unit is and its ease of use.
The Godox V1-S is a compact off-camera flash system with TTL HSS up to 1/8000 sec, high-speed sync (HSS), standard ISO 100~25600 manual exposure range, 3200K – 5500K color temperature control that can act as either enslaver or enslaved person units. It runs on 4 AA batteries that provide 270 full power pops at full charge. The V1-S also comes with a 2.4GHz Godox X series radio receiver built right into the head, so you can easily use this flash off-camera without any cables attached to the camera or having to worry about an On/Off switch.
Depending on your wireless needs and local interference issues, you can use group A & B channels (8 channels) or channels 1-4. This compact Speedlight unit has a guide number of 197′ @ ISO 100 and 200mm zoom settings which provide a powerful lighting option for its size, but it is much more than just that. The Godox V1-S is also a TTL Flash with TTL metering via Nikon i-TTL or standard manual mode. This flash has a standard ISO 100~25600 for manual exposure range, 3200K – 5500K color temperature control, and can act as enslaver or enslaved person units.
The 3″ LCD on the back is very sharp and bright with great visibility, even in direct sunlight, which can provide a bit of glare. The menu system is pretty easy to navigate once you get used to it, and I found that after just a few minutes, I had the Godox V1-S figured out without any problem or confusion. The buttons all have good tactile feedback and are logically laid out. So I don’t foresee issues when it comes time for action and adjust settings quickly when needed.
The Godox V1-S comes bundled with a plastic case with an elastic mesh that holds everything right to the flash and has a great front accessory pocket. This case will protect your gear. Meanwhile, you’re on location, and it is very useful when you don’t want to carry a bag around all day with extra batteries, sync cords, etc. It’s also nice to keep everything in one place if you plan to prep several flashes at once before heading out onto the set.
I have been very impressed with the Godox V1-S and feel it is a real winner for its price point. Of course, I was not expecting much from this modestly-priced next-generation Speedlight. Still, after using it at several events over the past few weeks, I have been very pleasantly surprised by how powerful and capable this flash is.
The unit feels very solid in my hands, and the quality of materials used throughout gives it a reassuring feeling. So you know that your gear will be working when you need it without any issues. It’s also nice knowing that if something does go wrong with the Godox V1-S, Godox has parts available to keep your machine running smoothly without having to send it back to the factory for service.
- Max Sync Speed: 1/200s (HSS), 1/250s (Non-HSS).
- Flash Duration: 1/800s (1/4 Power) – 1/15000s
- Guide Number: 58m / 190ft at ISO 100
- Recycle Time: About 3 seconds.
- Color Temperature: 5600k (Daylight).
- Tilts: -7 to 90 degrees.
- Flash Power: GN58 @ ISO 100.
- Zoom Range: 24mm to 105mm
Neewer NW-635 TTL GN58 Speedlite flash uses the latest technology in High-Performance Flash, with powerful functions and many other great features that enable professional results at all times.
The Neewer NW-635 TTL GN58 Speedlite Flash is an advanced accessory for both studio, and on-the-go shooting, The advanced design of this unit provides features like (TTL), (HSS), or even (M) along with manual control settings. These flash features are packed in a small yet effective design, making it easy to use while giving the photographer full creative control over their shot.
The Neewer NW-635 TTL GN58 Speedlite Flash provides a full range of unique features. It is ideal for both professional and novice photographers who want more from their lighting equipment while maintaining a budget in mind. This unit is easy to use, with a simple on/off switch. So you can start taking great shots right away. If you want to control your images, this camera flash for sony a7iii is an ideal option.
This flash will work seamlessly with all models, whether the latest DSLR or some old 35mm camera! Plus, with its small shoe mount design, it won’t get in the way when using a variety of accessories, such as reflectors and light stands. So ensure you have the best tools for the job and have a great lighting system set up.
It’s very easy to use. Just attach it to your camera then you can start shooting with flash instantly. The Neewer NW-635 TTL GN58 Speedlite Flash gives you all the manual control you need without being complicated. It will automatically give optimum exposure readings, which are handy if you’re not used to fancying light controls just yet. Experience the difference of using this flash; see how better your images look after adding even subtle fill-in flash to them!
Two different ways enable photographers to fire their flash off-camera (wireless or wired), depending on their needs or shooting style. Further, This unit is fully compatible with Canon/Nikon/Olympus/Pentax DSLR cameras and so on. In a nutshell, this flash is a great little light that can offer you big results in a small package!
One of the best features about the Neewer NW-635 TTL GN58 Speedlite Flash is how easy it is to use, which means you’ll start getting good shots from the get-go. It’s ideal for professional and novice photographers alike, allowing them to set up fast and capture great moments easily. Moreover, A full range of unique features is packed into this unit, giving you greater control over your lighting conditions when taking pictures.
Neewer NW-635 TTL GN58 Speedlite Flash is the perfect accessory for both studio and on-the-go shooting, enabling professional results at all times. The advanced design of this unit provides features like (TTL), (HSS), or even (M) along with manual control settings. This flash has an effective design, making it easy to use while giving the photographer full creative control over their shot. It is ideal for both professional and novice photographers who want more from their lighting equipment while maintaining a budget in mind.
- Adjustable LED light.
- Compact and lightweight design.
- Adjustments: 24mm, 50mm, or 105mm lens
- High effective power:60 GN at ISO 100-200 (hot-shoe).
- GN58: ISO 100.
- Brust: 1/8000s
- Guide Number: 33ft at ISO 100
- Color Temperature: 5500k (Daylight)
- Tilts: -7 to 90 degrees.
- Zoom Range: Auto 24-105mm.
The Altura Photo AP-305S Camera Flash is a great portable pop-up flash for your DSLR camera. It’s ideal for beginner and professional photographers who want to take their images to the next level, producing shots that stand out. This little light flash won’t let you down. This camera flash provides continuous lighting, perfect for video recording & live view. This ensures consistent exposure throughout the entire recording/shooting period by eliminating harsh shadows or blown-out highlights.
It features an innovative tilt-head design with adjustable arms that let it float over the top of your lens. The flash automatically tilts according to how far you tilt your camera. It allows you to have that perfect lighting even without the hassle of having an extra tripod or assistant. The angle is adjustable from 0-90 degrees and can be swiveled up to 360 degrees for vertical and horizontal directions.
The flash power it produces is equivalent to a pop-up flash on any other DSLR camera at about 60 GN, which ensures the power you need when you need it. In addition, the effective shooting range goes up to about 50 feet in wide-angle mode and 32.5 feet in telephoto mode with full power, ideal for various scenarios such as large rooms or outdoor shoots in broad daylight. This flash also features a built-in diffuser, so you no longer need to carry around external diffusers.
Technical Specifications for the Rexant AC-160 The AC-160 Rexant Camera Flash is a great beginner flash to expand its lighting options. It’s perfect for any DSLR camera and can be attached directly onto them (hot shoe). It provides you with all of the features you need at a fraction of the price, giving you full control over your shot no matter what type of camera you have. The flash power this little guy puts out is equivalent to 160 GN from any other pop-up flash on a DSLR camera, which means it will be ideal for the flash for sony a7riii.
It’s also compatible with any other DSLR camera on the market, so no matter what type of camera you have, you’ll be able to use this flash & take your images anywhere. This Rexant Camera Flash features an optical path that is fully enclosed, which will protect it from dirt and moisture for long-lasting durability. It has a high-speed sync mode that lets it sync up to 1/8000s shutter speed, making it perfect for taking studio-style photos or action shots in burst mode. The flash power is adjustable from full to 1/128th power, giving you complete control over your lighting even if you’re using diffusers.
The Altura Photo flash is a great entry-level flash for those looking to expand their lighting options. The versatility, features, and price make this an excellent value for your money. You can’t go wrong with something that provides you with full control over your shot & the functionality of a pop-up flash on any other DSLR camera at about 60 GNs – 280 Ws, which ensures the power you need when you need it. So if you’re looking to take your photos up a notch or search for something compact yet versatile, consider investing in one today!
You should keep in mind many things while picking the best flash for the Sony a7ii. We have listed some important factors below:
You must consider the first and foremost factor is whether your camera flash can be tilted and rotated to different angles. All the latest cameras that offer high-end video recording ability have a swivel and tilt head. Thus, you can attach an additional flash to the camera with ease.
Flash power comes in a different range of units called Guide numbers. The guide number tells us how powerful a specific flash is. For example, a high guide number implies shooting images in a dark environment without a high ISO setting that causes noise.
Remember that a higher guide number also comes with a higher price tag. In simple words, the guide number tells us how powerful a flash is in its brightness. Thus, a higher guide number means that it will be easy for you to shoot in dim light conditions without having your images come out looking dark and gloomy.
Flash sync speed refers to the shutter speed. This is the speed where a camera’s sensor starts recording information from the lens when using an external flash. So if your camera has a maximum shutter speed of 1/200 seconds, that means you can sync 1/200s with a flash. Sync Speed is important to consider in a flash. At the same time, you pick the best flash for your camera since faster shutter speed reduces motion blur and offers better control of depth of field.
If you own a Sony a7ii and looking for something professional, we would suggest you go for camera flashes that can fire multiple speed lights at once. This will help you get professional images by controlling your shots’ depth of field, focus, and brightness. Hot shoe mount: While picking a flash for a sony a7ii camera, keep in mind that it should have an industry-standard hot shoe mount. It allows you to easily use different glasses on your camera without screwing loose or tightening any screws/nuts.
Sony A7 II camera offers a high-speed and accurate Auto-Focus system along with the ability to use a powerful optical viewfinder. So it will help you focus on your subject very easily. Yet, Suppose you are using an off-camera flash. In that case, it’s very important. You can control the external flash remotely by using either a built-in wireless control feature or an effective external Remote Control unit. This will ensure that the flash is placed in the right place and not affect your ability to focus and shoot images.
You must buy a flash with a lens hood included since it helps cut out unwanted glare and unwanted light coming from non-primary sources, which results in better images. It also helps reduce lens flare and eliminates back-side glare. So make sure the flash you are buying comes with a built-in hood that can be attached to the head of your camera flashes.
An optional reflector is included in some higher-end flashes, which gives you better control over lighting ratios by bouncing more light on your subject rather than letting it all fly away. Though it’s not available on every single Sony A7II camera flash, we highly recommend getting one because they help create very dramatic images and offer great flexibility over various lighting conditions.
Have high-speed sync (HSS), Fill-in Flash, and Rear Curtain Sync or Red-eye reduction in a flash. These modes allow you to capture images with different looks and feel. The default mode in which your camera flash comes equipped is TTL/Auto mode, which allows your flash to adjust when using it on camera automatically. However, if you want to take full control of your lighting setup, we recommend that you go for an external Speedlite unit with more than one mode. So You can use it in multiple setups without any hassle.
Last but not the least, you must consider how powerful your flash is? You must make sure that your Sony A7 II camera has enough power to take good pictures even when bounced off from the ceiling or wall. Flash power is especially important if you are shooting indoors at night without much light. The brighter flashes are often priced higher, but they can capture images in a very low light environment.
How can I use multiple external flashes with my Sony A7 II?
You can control the external flash remotely by using either a built-in wireless control feature or a Remote Control unit that effectively fires several off-camera speed lights.
Yes, Sony HVL-F 60 RM is one of the best flashes for sony a7 ii. You can control it remotely by using either or both built-in wireless control features and its effective Remote Control unit to fire several off-camera speed lights.
Yes, you can place your camera flash on top of a monopod or tripod and then point it at the ceiling to bounce light.
TTL flash lets you remotely control the power of a Sony A7II camera’s built-in or external flash unit. It automatically adjusts to your shooting conditions and allows you to take images with different looks and feel depending on how much light goes through the lens.
A fill-in flash is a second source of light that helps reduce shadows caused by the main source (key-light) by filling up darkened areas. This is why it’s usually used outdoors in broad daylight when shadows are very obvious under harsh sunlight. If you want to use fill-in flash with a Sony A7 II camera, go to Menu>Camera Settings>Flash Mode and select Fill-in Flash.
A high-speed sync flash mode allows you to capture images by synchronizing your camera flash. You sync your flash at very fast shutter speeds ranging from 1/500th of a second onwards. So when you are shooting in extremely bright ambient light is present that would normally cause overexposure or ghosting if captured simultaneously. The perk here, though, is that you have to be using compatible Sony A7 II cameras together with compatible Sony flashes for this to work.
Rear Curtain sync flash mode allows you to capture both subject and environment together. Still, it separates them by dividing the exposure time between the two groups, which creates a very interesting effect. It can be set either manually on your Sony A7 II camera flash unit or using TTL mode so that you don’t have to bother controlling shutter speed yourself.
This mode is great when you are photographing people using the built-in flash on your Sony A7 II camera because it emits a small burst of light to close their pupils before capturing the image. This allows them to have much wider and more natural eyes in pictures rather than looking like some kind of frightened animal.
You can also use an external Speedlite unit with red-eye reduction mode for this purpose if your mobile does not support it or do it in post-processing software such as Adobe Photoshop during editing.
Auto ISO is a new feature that automatically sets your camera’s shutter speed and aperture according to the light of your scene. It can be pretty useful for moving subjects where you have a hard time keeping up with them under ISO Auto mode because it chooses an aperture between f/5.6-f/7.1. So you can set the shutter speed between 1/640 and 1/1000 of a second.
Backlight High Dynamic Range mode allows you to capture multiple exposures of the same scene. So when you combine them as one during post-processing for an extended dynamic range that is brighter than what your camera can normally capture at once.
The best flash for the Sony A7II will be a high-end external Flash with wireless control, a strong guide number, and a compatible Sony A7II camera. It will allow you to take full advantage of TTL flash, high-speed sync, rear-curtain sync, red-eye reduction mode, Auto ISO, Backlight HDR Mode to help improve your photography.
In my opinion, the best flash to get for Sony A7II is Altura Photo AP-305S and Sony HVL-F 60 RM.
Both offer TTL and high-speed sync that work very well with Sony A7II cameras and allow you to use any combination of flashes and lenses since they come in a universal hot-shoe design. However, I would recommend getting the newer NW635 for its superior guide number (58) and much easier compatibility with other systems such as Nikon, Canon, etc.